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CinePrint35 Film Emulation PowerGrades for DaVinci Resolve – The Ultimate Tool

Original price was: $49,99.Current price is: $20,00.

Achieve cinematic perfection with CinePrint35 Film Emulation PowerGrades for DaVinci Resolve. Compatible with multiple cameras and log profiles, this tool is a must-have for professional filmmakers.

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CinePrint35 Film Emulation PowerGrades for DaVinci Resolve

Transform your footage with CinePrint35 Film Emulation PowerGrades, a comprehensive solution for achieving true-to-film cinematic looks in DaVinci Resolve.

CinePrint35 Film Emulation PowerGrades for DaVinci Resolve provide unparalleled cinematic grading options

The CinePrint35 Film Emulation PowerGrades for DaVinci Resolve support a wide range of cameras and log profiles, making them the ultimate choice for professional color grading.

CinePrint35 supports a wide range of cameras and log profiles, including:

  • ARRI Log C3 cameras
  • Apple Log (iPhone)
  • Sony S-Log3 cameras
  • Blackmagic Design Film Gen5 cameras
  • RED IPP2 Log3G10 cameras (including Komodo tuned)
  • Fuji F-Log2 cameras
  • Canon C-Log 2 and C-Log 3 cameras
  • Panasonic V-Log cameras
  • Rec.709 non-log footage
  • Any other cameras supported via Color Space Transform OFX

— SAMPLE IMAGES —

CinePrint35 160T

Photometrically profiled from Fuji Eterna Vivid 160T film stock

CinePrint35 500T

Photometrically profiled from Kodak Vision3 500T film stock

CinePrint35 250D

Photometrically profiled from Kodak Vision3 250D film stock

More accurate Kodak 2383 print LOOKS

Kodak 2383 is the only color print film that Kodak still produces. Movie theaters that still project film today are projecting Kodak 2383 prints.

The Kodak 2383 LUT is designed to be applied to Cineon film scans to recreate on a Rec. 709 display what the image will look like once the negative is printed to positive Kodak 2383 stock and projected.

CinePrint35 helps digital footage achieve a more accurate print film look by recreating the density, saturation, and color response of a Cineon negative film scan before outputting to a print film emulation LUT.

WITH CinePrint35Sony A7SIII S-Log3 footage —> CinePrint35 500T 35mm powergrade (includes 2383 print output)

WITHOUT CinePrint35Sony A7SIII S-Log3 footage —> CST conversion to Cineon log with basic exposure & saturation adjustments —> Davinci Resolve default Kodak 2383 D55 LUTIt is common for colorists to use the 2383 PFE LUT on log footage from digital cameras in order to get some of the color response of 2383. However, the 2383 LUT expects a film scan input, so unless the digital footage is graded to mimic a film scan, it will produce less desirable results. Notice how in the bottom image the greens are less lively, the skin tones feel plastic, and the highlight roll-off is not as smooth. Meanwhile, the above image yields a more accurate and pleasing result because the footage is prepared to look like a Cineon film scan before being output to a 2383 print.

Rec. 709 vs Film Emulation Comparisons

Blackmagic Pocket 6K Pro BRAW with Rec.709 transform
CinePrint35 160T 35mm
ARRI Alexa LogC3 footage with Rec.709 transform
CinePrint35 160T 35mm
Blackmagic Pocket 6K Pro BRAW with Rec.709 transform
CinePrint35 160T 35mm
Sony FX6 S-Log3 footage with Rec.709 transform
CinePrint35 250D 35mm
Sony A7SIII S-Log3 footage with Rec.709 transform (image cropped to emphasize neon sign)
CinePrint35 500T 16mm (Note the subtractive color response of the edge of gamut, highly saturated, neon red sign)
Sony A7SIII S-Log3 footage with Rec.709 transform
CinePrint35 160T 35mm
Blackmagic Pocket 6K Pro BRAW with Rec.709 transform
CinePrint35 500T 35mm

Node Tree OVERVIEW

500T node tree
160T node tree
250D node tree

Breakdown of CinePrint35 Film Emulation PowerGrades Workflow

  1. Denoise: Apply spatial and temporal noise reduction before any color transformations.
  2. EXP: Adjust pre-emulation exposure with the Offset wheel.
  3. WB: Refine white balance pre-emulation using the Offset wheel.
  4. Pre Split: Apply pre-emulation RGB curve split toning in shadows.
  5. PRE: Fine-tune contrast and saturation before emulation.
  6. Halation: Add halation effects in linear space, customizable for threshold, size, and color.
  7. Tone: Map RGB tone curves to replicate original film negative response.
  8. Color: Adjust saturation, hue, and luminance to match the film’s original palette.
  9. Green HL: Correct subtle green highlights typical in some film stocks.
  10. Gate Wv: Simulate gate weave to mimic film negative movement through the gate.
  11. Grain: Add custom-tuned film grain for both 16mm and 35mm negatives.
  12. Sat: Post-emulation grading for saturation adjustments.
  13. Primaries: Perform primary and log wheel grading.
  14. Con: Adjust post-emulation grading contrast.
  15. HSV: Modify saturation in HSV color space for richer results.
  16. Look: Apply built-in primary wheel corrections inspired by original film scans.
  17. Pastel: Enhance pastel tones through contrast and saturation adjustments.
  18. Shad Tone: Add RGB split toning to shadows for subtle tints.
  19. CineonOut: Output gamma-corrected Cineon negative scans to Rec. 709 using CST.
  20. PrintOut: Emulate print film looks using Kodak 2383 or Fujifilm 3513.
  21. Warm WP: Add warmth to the white point with curve endpoint adjustments.
  22. Dust: Add realistic dust effects with Resolve’s Film Damage OFX.

Additional Resources

A detailed User Guide PDF is included to provide an in-depth explanation of the nodes and workflow.

 

GOT software other than Davinci Resolve?

Use the LUT version of the emulations: PURCHASE HERE

Unless otherwise specified, all digital products in our store are non-refundable after purchase. However, when purchasing digital products (LUTs and other digital goods in the form of software or files), the buyer automatically waives the right of withdrawal, as digital goods/downloads become irrevocably the buyer’s property after the download.

In this case, a revocation can only be made if the buyer has not yet downloaded the files. However, we will consider granting refunds under certain circumstances (e.g. duplicate order, the wrong preset is sent). We will grant refunds at our reasonable price. If the buyer requests a refund and a download has not been performed, we will honor a full refund to the customer.

Please take time to preview the product pictures, descriptions, and videos before you buy to avoid mistakes. We tried our best to gather all the important information for each product so that you preview and be satisfied before making a purchase. Thanks so much for choosing our products. We hope you’ll love them as much as we do!

Our team is incredibly responsive and takes pride in taking care of our customers. Please feel free to get in touch with us via the contact page or email us directly at [email protected] with any questions or concerns and we’ll be happy to help within 24 hours.

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